Martine Perret is a photographic artist who was born in Paris and now lives and works from her base in Margaret River.

She is known for her startlingly beautiful portrayal of the Western Australian landscape, often employing aerial captures and portraiture to tell important stories of our times. Her approach to artistic work is based a career in photojournalism, which includes a decade covering UN peacekeeping missions in conflict zones such as South Sudan, the Democratic Republic of Congo, Burundi, Timor-Leste, and West Africa, where she documented the Ebola crisis.

Recent projects like ‘Ngala Wongga (Come Talk), Cultural Significance of Languages in the Goldfields’, exhibited across galleries in WA and in 2019 at the UNESCO International Year of Indigenous Languages at the Australian Embassy in Paris and ‘Belong: Language Connecting Feeling, Culture, Country’ exhibition at the WA Museum Boola Bardip in Perth highlight the importance of First Nations’ languages.

In December 2022, Martine was honoured to travel to Paris with Wardandi Elders Vivian Brockman Webb, Mitchella Hutchins, and artist Roly Skender to launch the UNESCO International Decade of Indigenous Languages. This included the presentation of the collaborative audio-visual work Wannang Biridge (Light of the Peppermint Tree), originally created at The Farm Margaret River, following a residency with SymbioticA on photomicrography at CELLCentral in the School of Anatomy and Human Biology at The University of Western Australia.

Her evolving audiovisual practice unfolds through interlinked installations that explore the convergences of language, identity and culture within immersive visual environments, resonant photographic imagery, and textured narrative frameworks.